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From boxofficemojo.com

'Black Panther' Dominates Lackluster March at the Box Office
Following a record-breaking February, which saw the February domestic box office top $1 billion for the first time ever, March saw a -24% decline compared to 2017 with calendar grosses totaling $891 million. One thing didn't change in March, however, and that was the #1 film as Black Panther not only dominated the month of February, but was also responsible for nearly 25% of March's overall gross. In fact, thanks to Black Panther, even though March was such a down month, the first quarter o...

'Rampage' Tops Weekend Box Office, but 'A Quiet Place' is Making the Most Noise
It was nearly an upset at the weekend box office, but Warner Bros. and New Line's Rampage was able to hold off a strong second weekend from Paramount's hit horror/thriller A Quiet Place to take the weekend's #1 spot. But that doesn't discount the fact A Quiet Place is less than $400k shy of topping $100 million domestically after just ten days in release. Additionally, Blumhouse's Truth or Dare delivered a solid, third place debut. With an estimated $34.5 million, Warner Bros. and New L...


Life is Beautiful and So is This Film
A review of Life is Beautiful
by J. D. Rummel

It is rare that a Manly Man sits bawling in the theatre, and even rarer when one admits it, but in Omaha's Dundee Theatre (the only single screen house left in town) I sat watching a little boy on screen and feeling tears run down my cheeks. This tale of a father's love and devotion to his son during the satanic cruelty of the Holocaust is an instant classic.

Director: Roberto Benigni

Stars: Roberto Benigni, Nicoletta, Braschi, Giorgio Cantarini

Rating: PG-13

Release: 10-23-1998

Time: 114 minutes

Buy Movie at Amazon.com The film opens with some general slapstick humor as Benigni and a buddy arrive in a small town and begin to build their respective futures. For the first 45 minutes Benigni is amusing and cute as he woos his real life spouse into marrying beneath her station. This portion is artful, but hardly remarkable. It is the sudden film jump 5 or 6 years into the future, as fascism swallows the town that you get a shocking taste for how abruptly life can change from benign to horrific as Benigni, his child and wife are loaded onto trains and shipped off to concentration camps. Here, the father's efforts to distract his son from the misery around them takes on a truly inspired gleam. Could anyone really succeed at this? This cynical viewer was doubtful, but as when viewing any film with noble intentions, I wanted to believe. To see such love and devotion in contrast to the depths that human behavior can sink was inspirational.

On Oscar night I watched writer, director, star, Roberto Benigni bound up to the stage doing Jerry Lewis and Jim Carrey in Italian and accept two awards for his work in this remarkable film. I don't actually think the Oscars mean a whole lot. How do you compare two films as diverse as Saving Private Ryan and Shakespeare in Love and declare one the best? It's ludicrous, but as Benigni gave his heartfelt speeches in his limited English, I was glad that his film was recognized in some capacity. His achievement warrants the highest praise.